Depiction of Suffering and Moral Transformation in Bernard Malamud’s The Assistant

Rajesh Kumar

Abstract


In the post-war period of bad faith and nihilism, the Jew has emerged as a symbol of compassion in American Jewish fiction. The Jews are considered as victims at the hands of fate because of the historic rootlessness and the Holocaust inflicted on them. Thus suffering has been an indispensable part of the Jews, and that is explicitly reflected in Jewish writing. But suffering is not just a strain in Malamud’s fiction; it is a necessary condition for the emergence of compassion, which in turn is the ethos of Malamud’s moral vision. Therefore, the present research article not only shows the depiction of suffering but also presents the novelist’s moral vision.

Keywords


Jews, Suffering, Regeneration, Moral Transformation.

Full Text:

PDF

References


Allen, Walter. The Modern Novel in Britain and the United States. New York: E. P. Dutton, 1965. Print.

Handy, W. J. “The Malamud Hero: A Quest for Existence.” The Fiction of Bernard Malamud. 1970. Print.

Malamud, Bernard. The Assistant. Harmondsworth: Penguin Books, 1975. Print.

All the following references to The Assistant are to this edition, and figures in parentheses refers to page numbers.

Podhoretz, Norman. “The New Nihilism and the Novel.”New Jeresy: Prentice Hall Englewood Cliffs, 1964. Print.

Schechner, Mark. “Jewish Writers.” Harvard Guide to Contemporary American Fiction. Ed. David Hoffman. Cambridge: Harvard University Press, 1979. Print.

Stern, Daniel. “The Art of Fiction: Bernard Malamud.” The Paris Review. Spring 1975. Print.






Copyright (c) 2014 Rajesh Kumar

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

 

All published Articles are Open Access at  https://journals.pen2print.org/index.php/ijr/ 


Paper submission: ijr@pen2print.org