A Study of Albert Camus’ Absurdist Creed with Reference To His ‘The Myth of Sisyphus’

Abstract

This article intends to delve into Camus’ idea of absurdity as it emerges from his The Myth of Sisyphus.[1] Although the notion of the 'absurd' is pervasive in all of the literature of Albert Camus, The Myth of Sisyphus is his chief work on the subject. In it, Camus considers absurdity as a confrontation, an opposition, a conflict or a "divorce" between two ideals. Specifically, he defines the human condition as absurd, as the confrontation between man's desire for significance, meaning and clarity on the one hand – and the silent, cold universe on the other. He continues that there are specific human experiences evoking notions of absurdity. Such a realization or encounter with the absurd leaves the individual with a choice: suicide, a leap of faith or recognition. He concludes that recognition is the only defensible option. For Camus, suicide is a "confession" that life is not worth living; it is a choice implicitly declaring that life is "too much". Suicide offers the most basic "way out" of absurdity: the immediate termination of the self and its place in the universe.
Keywords: Camus; absurd; suicide; death; Sisyphus