Prospero as an Analogy for God and the Creative Process in the Tempest

Chung Chin-Yi

Abstract


Hence Prospero’s magical powers are that of a God like creator who seeks not to imprison and merely subjugate his subjects to bend them to his will but to redeem them and lead to their moral betterment and growth, as was seen in his attempt to give Caliban an education, his attempt to discipline Ferdinand through hardship, and his attempt to bring Alonso and Sebastian towards repentance. A postcolonial reading merely highlights colonialism as violence without acknowledging the redemptive nature of civilization as Alonso and Sebastian learn that sin has consequences, as does Caliban when he is punished by Prospero after his attempted rape of Miranda. Indeed it is true that Prospero tyrannically subjects all his subjects on the island to hardship but it is for their betterment and moral growth, like God desires towards sinners, that Prospero also desires and hence Prospero is not a mere tyrant but like God, a teacher of lessons through the suffering that he brings about in order to instil discipline, repentance and moral growth in his subjects.

Keywords


Shakespeare, Tempest, Colonialism, God, Violence

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References


Coursen Hebert R. The Tempest: A Guide to the play. Westport, Greenwood Press. 2000.

Griffiths, Trevor R,The Tempest, New York, Palgrave Macmillan,2007.

Shakespeare, William, The Tempest. Boston, St Martin’s, 2000.






Copyright (c) 2014 Chung Chin-Yi

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