Mahesh Dattani’s Thirty Days in September in the light of Rasa Theory
Abstract
Theatre is a platform where live actors perform in real time before live audience which makes it a unique art form because it exists in the ‘present’. The live actor-audience interaction is one of the special thrills of the theatre for both the performers and the audience. Dramatic performance has a direct appeal to the sensory organs enabling the audience to relish the Rasa, a Sanskrit concept which has different meanings but it is understood comprehensively in a Sanskrit phrase Param Asvadniya Tattava, which is basically an essence of drama. Rasa theory has been propounded by Bharatmuni in Rasadhaya of Natyashastra.
Keywords
Mahesh Dattani, Thirty Days in September, Rasa Theory, special thrills, Dramatic performance
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