George Bernard Shaw- As an Iconoclast

Chirag M. Patel

Abstract


This Research Paper aims to highlight the elements revolution in George Bernard Shaw's work. Shaw was an iconoclast who attacked the romantic notions of war and love. Toward the middle of the nineteenth century, there can be traced a significant development from romantic and historical themes to more realistic themes, and this movement toward realism received considerable impetus.


Keywords


Iconoclast; Revolution; Religious; criticism; superstitions; beliefs

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References


Burton, Richard, Bernard Shaw, The Man and the Mask, Folcroft Library Editions, 1974, pp. 59-60

Chesterton, G.K., George Bernard Shaw, John Lane, 1909, pp. 118-20.

Daniel Dervin, Bernard Shaw: Psychological study, 1975, pg.259-237.

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Gupta Subodhchandra.S, The art of Bernard Shaw, 1936.

Henderson Archibald, Bernard Shaw : A man of century, 1932.

Holroyd Michael, “Bernard Shaw : The one – volume definitive edition.” Randon house,1998.

Ohmann Richad M, “Shaw : the style and the man”. Wesleyan university press,1996.ASIN:B000OKX9H2.

Pearson Hesketh, Bernard shaw : His life and opinions,1942.

Weintraub Stanley, “ the unexpected shaw: biographical approaches to G.B.S and his work”. Frederick ungar publishing.co,1982 ISBN 0-8044-2974-X.

Works of George Bernard Shaw – http://www.gutenberg.org/brows/authers/s#a467.




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